The Sketch Newtonian

I like to think, especially of late, that my taste in music has changed, matured.  My preferences now drift toward the alternative while I cannot deny the lure of bluegrass or folk.  Even so, one song continues to affect me inexplicably. 

After nearly a decade of exposure, though, it amazes me that I do not tire of it—a song with which society has been no less than inundated, that most every frat boy can sing by heart (a characteristic many would claim is an indication that the song is played out), that far too many kids have destroyed on karaoke night (yet another indication, as no one sings good songs for karaoke…just “classics”).  So many qualities of this one song should put on the same level as MC Hammer or “the Final Countdown” by Europe—songs that people know yet laugh off as comical icons from another era.

Despite it all, there is something special and unnamed about Journey’s “Don’t Stop Believin’.”  When I hear those opening notes played by a solo piano something happens inside me, and I transform into a fist pumping, falsetto singing, air guitaring mad man.  Nothing can keep me from making a fool out of myself until the final chord is played.

This is of little consequence, however, as I am very seldom the only lunatic in the room.  Seriously, put the song to the test and I am sure you will find that so many of us want to sing the story of the “city boy born and raised in south Detroit.”  Simply go into a room, bar, or party and play DSB and wait.  If you can control your impulses long enough to look around the room, you will see it all happen.  Fists will reach skyward.  Eyes will be closed tightly as the singers strain to hit the high notes.  Relish in the unity brought on by the song, as my fellow crazy people are everywhere and of all ages and backgrounds.

I have watched as friendships blossomed between strangers singing together.  I have seen a carload of silent introverts traveling down the interstate burst into song with no provocation.  I have heard a DJ in Austin enjoy tumultuous applause for his remix of Journey’s anthem of love and perseverance, which, I must add, was AWESOME!

It doesn't always make sense ("streetlights, people, OH!" is by no means a complete thought, but rather two nouns and an interjection) and very few of us can actually sing the high notes of the chorus, but I must admit that Journey created something special when they wrote "Don't Stop Believin'."  While it is not necessarily understood, there is something hauntingly beautiful about this simple pop/rock song, and that, I feel is the secret to its staying power.